{"id":813,"date":"2018-09-21T09:08:22","date_gmt":"2018-09-21T09:08:22","guid":{"rendered":"http:\/\/rueda.casino\/?page_id=813"},"modified":"2021-05-16T21:16:13","modified_gmt":"2021-05-16T21:16:13","slug":"used-to-be-standard-figures","status":"publish","type":"page","link":"https:\/\/rueda.casino\/de\/ruedastandard\/history\/used-to-be-standard-figures\/","title":{"rendered":"Used to be Ruedastandard figures"},"content":{"rendered":"

The Ruedastandard and related lists of Rueda figures have been updated several times, mainly to keep them relevant.
\nThese are the figures removed from the list (since 2002):<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Command<\/strong><\/td>\nAction<\/strong><\/td>\nWhen<\/strong><\/td>\nReason<\/strong><\/td>\n<\/tr>\n
el cero<\/strong><\/td>\nChanged<\/td>\n2017<\/td>\nThe version previously called\u00a0el cero<\/em> is now called\u00a0cero con giro<\/em>\u00a0– because we learned that another version of cero<\/strong> <\/em>is more common among the Cubans, and we now use this new version for cero<\/em>.<\/td>\n<\/tr>\n
croqueta y aspirina<\/strong><\/td>\nRenamed<\/td>\n2017<\/td>\nThis figures may be called using other commands (enchufla y sacala > siguelo). It also turned out to be a rather home made name, and conflicting with a more common croqueta<\/em> figure.<\/td>\n<\/tr>\n
vac\u00edlala completa<\/strong><\/td>\nRemoved<\/td>\n2017<\/td>\nNot very much in use, and does not appear to be a very standard combination<\/td>\n<\/tr>\n
amistad compl\u00edcate<\/strong><\/td>\nRemoved<\/td>\n2017<\/td>\nNot very much in use, and does not appear to be a very standard combination<\/td>\n<\/tr>\n
paseala por Bayamo<\/strong><\/td>\nRemoved<\/td>\n2017<\/td>\nNot very much in use, and does not appear to be a very standard combination<\/td>\n<\/tr>\n
consorte<\/strong><\/td>\nRemoved<\/td>\n2017<\/td>\nNot very much in use, and does not appear to be a very standard figure<\/td>\n<\/tr>\n
seis y nueve<\/strong><\/td>\nRemoved<\/td>\n2017<\/td>\nNot very much in use<\/td>\n<\/tr>\n
la prima cruzada<\/strong><\/td>\nRemoved<\/td>\n2017<\/td>\nCasino figure, not very much in use, and does not appear to be a very standard figure<\/td>\n<\/tr>\n
cangrejo<\/strong><\/td>\nRemoved<\/td>\n2017<\/td>\nCasino figure, not very much in use, and does not appear to be a very standard figure<\/td>\n<\/tr>\n
Bayamo por Matanza<\/strong><\/td>\nRemoved<\/td>\n2017<\/td>\nCasino figure, not very much in use, and does not appear to be a very standard figure<\/td>\n<\/tr>\n
qu\u00e9datela<\/strong><\/td>\nRemoved<\/td>\n2017<\/td>\nCasino figure, not very much in use, and does not appear to be a very standard figure<\/td>\n<\/tr>\n
enr\u00f3scate<\/strong><\/td>\nRemoved<\/td>\n2017<\/td>\nCasino figure, not very much in use, and does not appear to be a very standard figure<\/td>\n<\/tr>\n
tienda de sombreros<\/strong><\/td>\nRemoved<\/td>\n2017<\/td>\nHome made combination, difficult to remember and\u00a0not very much in use<\/td>\n<\/tr>\n
el ocho<\/em><\/td>\nRemoved<\/td>\n2014<\/td>\nNot much in use, and different ways of dancing the figure<\/td>\n<\/tr>\n
\u2026 con son<\/em><\/td>\nRemoved<\/td>\n2014<\/td>\nThe figure was difficult to implement the way it was planned<\/td>\n<\/tr>\n
\u2026 con puente<\/em><\/td>\nMoved to vocabulary<\/td>\n2014<\/td>\nNot much in use as a specific command. (Not to be confused with el\u00a0puente <\/em><\/strong>and\u00a0puente doble<\/em><\/strong>)<\/td>\n<\/tr>\n
la madre<\/em><\/td>\nRemoved<\/td>\n2014<\/td>\nSimilar to foto <\/em>which is closer to the Cuban tradition, no need for two almost identical commands<\/td>\n<\/tr>\n
la prima semi tia tres, cinco<\/em><\/strong><\/td>\nRemoved<\/td>\n2014<\/td>\nMay be called with combining commands: „la hermana y cadeneta > qu\u00e9date“\u00a0<\/em>or\u00a0„familia y cadeneta > qu\u00e9date“<\/em><\/td>\n<\/tr>\n
arcoiris<\/em><\/strong><\/td>\nRemoved<\/td>\n2011<\/td>\nNot much in use, quite difficult and not too typically cuban style<\/td>\n<\/tr>\n
el plato<\/em><\/strong><\/td>\nRemoved<\/td>\n2011<\/td>\nNot much in use, and very similar to the figure pelota<\/em><\/td>\n<\/tr>\n
la rueda!<\/strong><\/em><\/td>\nMoved to vocabulary<\/td>\n2011<\/td>\nNot a typical command, more a way of telling people that a rueda is starting<\/td>\n<\/tr>\n
tobillo<\/em><\/strong><\/td>\nMoved to vocabulary<\/td>\n2011<\/td>\nMore an improvised touch of the partners ancle, similar to other words in the vocabulary<\/td>\n<\/tr>\n
vamos abajo<\/em><\/strong><\/td>\nChanged<\/td>\n2011<\/td>\nThe command was replaced by to two other commands, to avoid confusion.<\/p>\n
    \n
  1. adentro y afuera <\/em>(the lady going in and out of the circle while moving forward)<\/li>\n
  2. abajo<\/em> (tiempo Espa\u00f1a)<\/em> (the lady going straight forward)<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
Paulito<\/em><\/td>\nRemoved<\/td>\n2011<\/td>\nThe figure was hardly in use<\/td>\n<\/tr>\n
enchufla con clave<\/em><\/td>\nRemoved<\/td>\n2011<\/td>\nThe figure was difficult to fit with the clave in the music<\/td>\n<\/tr>\n
alt\u00e9rnate<\/em><\/td>\nRemoved<\/td>\n2011<\/td>\nA bit difficult, after 10 years the women still didn’t remember this one..<\/td>\n<\/tr>\n
recoge el cabo<\/em><\/td>\nRemoved<\/td>\n2008<\/td>\nThe figure was hardly in use<\/td>\n<\/tr>\n
biquini\u00a0<\/em><\/td>\nMoved to vocabulary<\/td>\n2008<\/td>\nNot a typical command, may be used instead of the number 2 in different settings<\/td>\n<\/tr>\n
un giro\u00a0<\/em><\/td>\nMoved to vocabulary<\/td>\n2008<\/td>\nNot a typical command, more a general term for turning<\/td>\n<\/tr>\n
paseala p’abajo<\/em><\/td>\nRenamed<\/td>\n2008<\/td>\nRefers to figure in closed position (named adentro y afuera <\/em>today). The command was replaced by vamos abajo<\/em> due to confusion with the command paseala <\/em>in open position. (Vamos abajo <\/em>was changed again in 2011.)<\/td>\n<\/tr>\n
setenta y siete<\/em><\/td>\nRemoved<\/td>\n2008<\/td>\nThe figure was hardly in use<\/td>\n<\/tr>\n
Evelyn<\/em><\/td>\nRemoved<\/td>\n2008<\/td>\nThe figure was not much in use<\/td>\n<\/tr>\n
manteca’o doble<\/em><\/td>\nDivided<\/td>\n2008<\/td>\nSplit: manteca’o <\/em>(command) and doble <\/em>(vocabulary, and later general command)<\/td>\n<\/tr>\n
tarro hasta la tuya<\/em><\/td>\nDivided \/ removed<\/td>\n2008<\/td>\nThe figure was not much in use, tarro<\/em> (command) was kept, hasta la tuya <\/em>was removed<\/td>\n<\/tr>\n
cast\u00edgala<\/em><\/td>\nRemoved<\/td>\n2008<\/td>\nThe figure was not much in use, and was danced in several different ways<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

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