La Familia: This is a sequence in Rueda de Casino that incorporates a series of figures, beginning with “La prima” and followed by “con la hermana.” The sequence concludes with a hooking of the partners’ arms and a rotation before changing partners. This figure symbolizes the unity and connectivity of a family, as dancers fluidly transition through familial-themed moves, emphasizing group cohesion and interaction.
La Tía and La Abuela: Within the “La familia” sequence, the terms “la tía” (the aunt) and “la abuela” (the grandmother) refer to other terms and in some cases slight variatons of the “con la hermana” (with the sister) figure. These variations, also known as “Hasta la tía” and “Hasta la abuela,” involve specific interactions between dancers that mimic familial relationships, adding layers of meaning and affection to the movements.
La Tía (The Aunt)
- Usage: In the context of “La familia,” “la tía” involves a playful or affectionate interaction, potentially including gentler or more teasing movements that reflect the typical interactions one might have with an aunt. This figure can involve subtle cues or gestures that indicate a nurturing yet fun relationship.
- Function within Rueda: “La tía” adds a familial layer to the dance, emphasizing the playful bonds within a family setting. It helps dancers express a range of emotions and connections through their movements.
La Abuela (The Grandmother)
- Usage: “La abuela” in the “La familia” sequence might incorporate more pronounced guiding movements, reflecting the wisdom and revered status of a grandmother. This can include protective or encircling moves that signify respect and care.
- Function within Rueda: As with “la tía,” “la abuela” enriches the narrative of the dance. It provides a way for dancers to enact and honor the nurturing roles that grandmothers often play, enhancing the emotional depth of the performance.
