Tarro and Dos Tarros in Rueda de Casino

In traditional Rueda de Casino, tarro and dos tarros are key commands for partner changes while dancing in the closed position. These commands ensure smooth transitions between partners, adding variety and excitement to the dance.

Tarro (Rueda de Casino)

  • Meaning and Usage: Tarro refers to a single partner change. When the caller says “tarro,” dancers in the closed position perform a partner switch, moving to the next partner in the circle.
  • Practical Application: The lead releases the current partner, rotates, and connects with the next dancer in the circle. This movement typically occurs on the final beats of the musical phrase, ensuring the flow of the dance continues seamlessly.

Dos Tarros (Rueda de Casino)

  • Meaning and Usage: Dos tarros is a variation where dancers skip the next partner and move directly to the second partner in the circle.
  • Practical Application: Upon hearing “dos tarros,” dancers bypass the first available partner and proceed to the second. This move requires quicker execution and is often called to increase the energy and interaction in the circle.

Tarro and Dos Tarros in Ábaco Style

In ábaco, a line dance version of Rueda de Casino without partners, tarro and dos tarros involve directional movements rather than partner changes. This style focuses on individual dancers executing coordinated turns and movements in a structured formation.

Tarro (Ábaco Style)

  • Meaning and Usage: In the ábaco line dance style, tarro refers to a quarter turn to the left. While the traditional Rueda version involves a partner change, in ábaco, this command directs dancers to execute a smooth rotational movement within the line.
  • Practical Application: The quarter turn left is executed on beat 7, ensuring that the dancers maintain synchronization with the group. The movement keeps the ábaco line in flow, creating a visually engaging and structured pattern.

Dos Tarros (Ábaco Style)

  • Meaning and Usage: Dos tarros in the ábaco style involves a half turn to the left, where dancers rotate two quarter turns in one smooth motion.
  • Practical Application: Executed on beat 7, dos tarros propels the dancers into a half turn, creating more dynamic and dramatic movement within the line. This adds complexity and variety to the ábaco format, while keeping dancers in sync with the music and each other.