In Rueda de Casino, the commands “arriba” and “abajo” are used to direct the flow of movement either clockwise (“arriba”) or counterclockwise (“abajo”). These terms are crucial for guiding dancers about the direction in which they should be moving or facing during various figures. Here’s how each term is typically used:
Arriba
- Meaning and Usage: “Arriba” translates to “up” or “above” in English, but in the context of Rueda de Casino, it is commonly understood to mean moving clockwise around the circle. When the caller says “arriba,” it instructs dancers to either start moving or continue moving in a clockwise direction. This can apply to the entire circle moving as one or to specific moves where dancers rotate or switch places clockwise.
- Function within Rueda: The command helps maintain the flow and rhythm of the dance, ensuring that all dancers are moving synchronously in the same directional pattern. It’s often used to initiate or continue sequences that require a smooth, circular motion around the dance floor.
Abajo
- Meaning and Usage: Conversely, “abajo” translates to “down” or “below,” and in Rueda de Casino, it signifies moving counterclockwise. This command directs dancers to change their direction of movement to counterclockwise, which might be used to reverse the flow of movement around the circle or within certain figures.
- Function within Rueda: Similar to “arriba,” “abajo” is essential for coordinating the group’s movement, ensuring that changes in direction are clear and unified across all dancers. It allows the caller to creatively alter the dance dynamics, adding variety and complexity to the sequences.
Example Scenario:
- Caller’s Command for Arriba and Abajo: In a typical dance sequence, the caller might use “arriba” to initiate clockwise turns or partner exchanges. Midway through the dance, to add variation or challenge, the caller might suddenly switch the command to “abajo,” prompting all dancers to reverse their direction and start moving counterclockwise. This change not only tests the dancers’ responsiveness but also adds a playful twist to the dance.
Using “arriba” and “abajo” effectively requires dancers to be attentive and quick to adapt, enhancing the interactive and lively nature of Rueda de Casino. These commands play a critical role in the choreographic structure of the dance, enabling the caller to manage the pace and direction of the movement fluidly and dynamically.